Saturday, May 22, 2010
Animals & Men 'Nag Nag Nag'
Thursday, May 20, 2010
'Du Pain ou du sang'
Tuesday, May 18, 2010
30 years ago today
PASSION ARMÉE
Sunday, May 16, 2010
The Fall 'Bury' live at Frome Cheese and Grain
Saturday, May 15, 2010
The Fall's new video 'I'm not from Bury'
Friday, May 14, 2010
Piney Brown 'You Bring Out the Wolf In Me'
Thursday, May 13, 2010
The Cortinas 'Defiant Pose'
John and Doreen
_of_img755.jpg)
My sister has been going through the Mitchard family photo archive and has been scanning them - some of the pics I have never seen - obviously I ain't gonna bore you with many but this is one I particularly liked as it was unknown to me and captures my parents in their 'courting' phase. (No... apparently it's their honeymoon) I love the background too.
The Fall 'Bill is Dead'
Wednesday, May 12, 2010
Us and Dragonflies

Have you ever had a dragonfly larva? When I say 'had' I mean kept one as a pet - I had one as a kid and it ate all my tadpoles - it frightened me to death - it was like the alien in Alien - grossing me out until one morning I came down and found it sat on the side of the washing up bowl I was keeping it in as a beautiful Dragonfly. I almost forgave it.
Anyhow back in the early years of the 20th century they dug up a Dragonfly fossil in Radstock in one of the pits - it was the largest fossilised bug ever found at the time though I now think it has been surpassed. Boltonites radstockensis. Hence the choice of song for the below film.
Yellow Coat - Screamin' Jay Hawkins
Radstock in the snow
Louisiana Red at the Thunderbolt Bristol
Blues Legend LOUISIANA RED & Michael Messer
One of the last great surviving bluesmen, Louisiana Red was born in Alabama in 1932. His mother died a week after his birth and his father was murdered by the Ku Klux Klan. Louisiana Red not only plays the Blues, he lives it through his guitar and his singing. Strongly influenced by Muddy Waters, Lightnin‘ Hopkins and Arthur Crudup, he has long ago found his own voice, his own style, his own form of expression. In a career spanning over half a century, Louisiana Red has played with just about every major bluesman you can name. In 1983 he won the W.C. Handy Award for ’Best Traditional Blues Artist’. Michael Messer is recognised as one of the world’s leading slide guitarists and blues innovators. One prominent critic described him as `an unavoidable force in modern blues` £10Adv from Bristol Ticket Shop Tel 0117 9299008 www.bristolticketshop.co.uk £12 on the door
Tuesday, May 11, 2010
Women of the Red Army tribute
The Escape 'Murder' 1982
Interview with Cavan (Kev) Saunders
If you are wondering what the set will be about here's what he says
My vocal style has been compared with Lou Reed , Jim Morrison and Johnny Cash.
Musically the song styles take in Folk, Alt Country,and Rhythm and Blues.
Some have likened what I do to Blue eyed soul/New wave artists such as Elvis Costello and Graham Parker. I play a set that mixes mostly original compositions with,cover versions of songs by people such
as Fred Neil, and Jerry Jeff Walker.
I am looking forward to it already
Monday, May 10, 2010
Your Future Our Clutter - The Fall
Paul Robeson 'Anthem of the Soviet Union'
Paul LeRoy Bustill Robeson (April 9, 1898 – January 23, 1976) was an internationally renowned American bass-baritone concert singer, actor of film and stage, All-American and professional athlete, writer, multi-lingual orator, scholar and lawyer who was also noted for his wide-ranging social justice activism. A forerunner of the civil rights movement, Robeson was a trade unionist, peace activist, Phi Beta Kappa Society laureate, and a recipient of the Spingarn Medal and Stalin Peace Prize. Robeson achieved worldwide fame during his life for his artistic accomplishments, and his outspoken, radical beliefs which largely clashed with the Jim Crow climate of the pre-civil rights United States. He became a prime target of the right during the McCarthyist era.[1][2][3][4] Despite his being one of the most internationally famous cultural figures of the 20th century, persecution by the US government and media virtually erased Robeson from mainstream US culture and subsequent interpretations of US history, including civil rights and black history.[3]